Tag Archives: coding with knots

Pixel Quipu

The graphviz visualisations we’ve been using for quipu have quite a few limitations, as they tend to make very large images, and there is limited control over how they are drawn. It would be better to be able to have more of an overview of the data, also rendering the knots in the right positions with the pendants being the right length.

Meet the pixelquipu!


These are drawn using a python script which reads the Harvard Quipu Database and renders quipu structure using the correct colours. The knots are shown as a single pixel attached to the pendant, with a colour code of red as single knot, green for a long knot and blue as a figure of eight knot (yellow is unknown or missing). The value of the knot sets the brightness of the pixel. The colour variations for the pendants are working, but no difference between twisted and alternating colours, also no twist direction is visualised yet.


Another advantage of this form of rendering is that we can draw data entropy within the quipu in order to provide a different view of how the data is structured, as a attempt to uncover hidden complexity. This is done hierarchically so a pendant’s entropy is that of its data plus all the sub-pendants, which seemed most appropriate given the non-linear form that the data takes.



We can now look at some quipus in more detail – what was the purpose of the red and grey striped pendants in the quipu below? They contain no knots, are they markers of some kind? This also seems to be a quipu where the knots do not follow the decimal coding pattern that we understand, they are mostly long knots of various values.


There also seems to be data stored in different kinds of structure in the same quipu – the collection of sub-pendants below in the left side presumably group data in a more hierarchical manner than the right side, which seems much more linear – and also a colour change emphasises this.


Read left to right, this long quipu below seems very much like you’d expect binary data to look – some kind of header information or preamble, followed by a repeating structure with local variation. The twelve groups of eight grey pendants seem redundant – were these meant to be filled in later? Did they represent something important without containing any knots? We will probably never know.


The original thinking of the pixelquipu was to attempt to fit all the quipus on a single page for viewing, as it represents them with the absolute minimum pixels required. Here are both pendant colour and entropy shown for all 247 quipu we have the data for:



Quipu: further experiments in Düsseldorf

A report on further experimentation with Julian Rohrhuber and his students at the Institute for Music and Media in Düsseldorf during our coding with weaves and knots remote seminar this week.


As we have so little idea what the Inca are telling us in their Quipu, it seems appropriate to add a cryptanalysis approach to our toolkit of inquiry. One of the first things that a cryptanalyst will do when inspecting an unknown system is to visualise it’s entropy in order to get a handle on any structures or patterns in the underlying information. This concept comes from Claude Shannon’s work on information theory in the 40’s, where he proved that information obeys fundamental laws of physics. The concept that information and “cyberspace” may not be as intangible and otherworldly as we might believe (in fact is grounded in physical reality along with everything else) is one of the recurring themes of the weavingcodes project.

Shannon’s innovation was to separate the concepts of data quantity from information value, and he claims that information is equivalent to surprise – the more surprising a piece of data is, the more information it contains. Conversely a piece of information which we expect to hear by definition doesn’t really tell us very much. The potential for some data to be surprising (or more specifically it’s potential to reduce our uncertainty) can be measured statistically, with a quantity he called entropy, as it is analogous to states in thermodynamic systems.


Shannon defined a generalised communication system, which is handy to give us a way of reasoning about our situation in relation to the Inca. Our main unknown is the source of the messages they are sending us, are they accounting information, calendars or stories? We know a bit more about the transmitters of the messages, the khipukamayuq – the knot makers and quipu keepers. At the time Shannon was working on information theory, he was part of the start of the movement away from analogue, continuous signals and towards digital signals – with advantages that they are highly resistant to noise and can be carried further and combined together to increase bandwidth. Quipu are also mainly comprised of digital information – the type of a knot, the number of turns it’s comprised of or the twist direction of a thread are all discreet (either one thing or another) and therefore highly robust to material decay or decomposition. We can still ‘read’ them confidently after 500 years or more without the digital signal they represent being degraded too badly, if only we could understand it. At the same time, none of us working on this have access to a real quipu, so our receivers are the archaeologists and historians who study them, and compile archives such as the Harvard Quipu Archive we are using.

Although entropy is a very simplistic approach mathematically, it’s main use is to give us a tool for measuring the comparative information carrying potential of data which we have no idea about. Here are all the quipu in the Harvard database in order of average entropy bits they contain (only listing every other quipu ID):


This graph is calculated by making lists of all the discreet data of the same type, e.g. knot value, type, tying direction, pendant colours and ply direction (ignoring lengths and knot positions as these are continuous) – then calculating Shannon entropy on histograms for each one and adding them together.

We can also compare different types of information against one another, for example the main data we currently understand has some specific meaning are the knot values, partly derived from the knot type (long, single or figure of eight), which represent a decimal notation. If we compare the entropy of these we can expect them to have roughly similar average amounts of information:


The meanings of colours, ply and structure are largely unknown. Here are the knot values compared with the colours:


And this is pendant ply direction compared with knot values for each quipu:


At this point the most useful aspect of this work is to give us some outliers to inspect visually and sonically – more on that soon.